What Are the 7 Basic Elements of Interior Design?

Elements of Interior Design

When we think of interior design, it's tempting to see the selection of each living room piece as being a work of some sort of enchanted alchemy. Images of finished living room designs hardly never illustrate the scientific process that went into making them. However, in order to maintain a consistent level of design perfection, professional interior designers must apply guidelines to their creativity and flair.

This ad hoc set of guidelines applies the principles of interior design, which, when taken into consideration, result in the work of art that we all want to see in our own homes. Harmony is created when the elements of space, line, form, light, colour, texture, and pattern are utilised appropriately. How do you incorporate the various aspects of interior design into the look and feel of your living room?

Are you prepared to give your living room a makeover and step into the area of your dreams? The following description will walk you through the components of interior design as well as how to implement them in your living room.

Space

The area that you have access to within your living room is defined by the room's walls and furniture. Because it's unlikely that you'll be able to change the dimensions of the room, it's important to be familiar with the resources at your disposal before beginning the design process.

There are two dimensions of space, length and width, as well as a third dimension (length, width, and height). You can also divide space into positive (space that contains objects) and negative (space that does not include objects) (open space or space between objects).

When you have your length, breadth, and height measurements in hand, it is much simpler to choose the components that will go into a certain design. For instance, you could utilise a tall bookcase in your living room to give the impression that the area is taller than it actually is.

However, if the room is on the smaller side, you should probably avoid getting a large bookcase because of the way its enormity would suck up the empty space and cause the area to feel crowded. In other situations, you might want to avoid a tall bookcase because you want the attention to be drawn to the other pieces of furniture in the room.

In addition, several styles each make a unique utilisation of the available space. For instance, minimalism emphasises creating more negative space, while maximalism places more emphasis on creating more positive space.

Line

Your living room features lines that direct the gaze and help to define the overall appearance of the room. The lines that are horizontal, vertical, and dynamic are all balanced out very well in this fantastic design. Tables, drawer chests, and sofas are all examples of furniture that can feature horizontal lines.

The use of horizontal lines gives the impression that the area is larger, more secure, more grounded, and more formal. However, your living space would look boring and uninteresting if you use horizontal lines too frequently.

Vertical lines, on the other hand, are known to direct the viewer's attention upwards and to elicit a sense of liberation. Vertical lines such as those created by windows, doorways, walls, and other lengthy items draw the eye upward and draw attention to other aspects of the room such as the ceiling. However, an overabundance of vertical lines might provide the impression of being hemmed in.

You can use dynamic lines to break up the monotony of the scene. These are lines that are angled, curved, and zigzag in nature, and they produce movement and energy. In a painting, curved lines give the impression of fluidity, while zigzag lines give the impression of activity. However, you should try to avoid employing an excessive amount of dynamic lines because doing so can be annoying.

Form

The lines and shapes that make up an object's form are referred to as its form. It is possible for it to be natural, in which case organic objects served as its source of inspiration, or geometric, in which case the shapes and lines appear.

However, utilising an excessive number of forms inside a confined area may lead to confusion. Harmony is achieved when many forms are brought into balance with one another. In most cases, it is desirable to replicate the main form with several insignificant objects located throughout the living room.

Light

Both natural and artificial light have an impact on the way your living space functions, the atmosphere it evokes, and its aesthetic appeal. Your living room is often illuminated by natural light, which enters the space through doors and windows and shines on various aspects of the space. Even if you fill your living room with brilliant colours, it may look lifeless if there is not enough natural light to illuminate the space.

During the day, mounting mirrors on the walls of your living room is a wonderful way to reflect natural light and increase the amount of ambient light present in the space. At night, ambient light can be produced quite effectively by using lighting fixtures such as chandeliers, recessed ceiling lights, and wall sconces.

When choosing artificial lighting, it is essential to take into consideration the function of the room as well. What exactly is it that your living room is used for? For instance, if you utilise a portion of your living room as a workspace, the lighting in that area needs to be bright because it improves one's ability to stay attentive and see well. It is recommended that rather than turning up the ambient light in the living room, a task light be placed over a table or desk for the most effective use of the space.

The ambience of your living space can also be affected by the light. In order to create an atmosphere that is soothing and conducive to relaxation in the living area, dimmer the lights. Thankfully, smart bulbs provide you the ability to modify both the hue and the intensity of the light in your living room, allowing you to create a variety of ambience.

Lights not only set the tone but also draw attention to specific objects and areas. Your living room's architectural details, wall hangings, carvings, and other places can all be brought out with the help of accent lighting. When entertaining guests, you might want to bring attention to a feature wall in your home by installing lighting either below or above the artworks that hang on that wall.

Colour

Colors have the ability to make us experience certain emotions and stimulate us both mentally and physically. When choosing the paint colours for your living room, you should take into account the area's function, your own style, and how the colour works with both natural and artificial light.

You may add colour to your living room in a variety of methods, such as by painting the walls, utilising wallpaper, utilising rugs, furniture, and accessories. Having a colour palette lets you establish the colours that you can experiment with in your living room while still preserving the space's sense of harmony and vitality.

In living rooms, the colours black, grey, navy blue, beige, and beige are highly suggested, particularly for usage on furniture, rugs, and walls. This is due to the fact that these colours are relaxed and offer the possibility to experiment with different colours on other aspects of the living room.

However, if you match them with the proper furnishings and accessories, hues such as green, yellow, carmine, salmon pink, and golden might also work for your living room.

Texture

Your living area takes on the look and feel of the items you have in it, even their tactile appearance. It's possible for things to have rough, smooth, or shiny textures.

The utilisation of a variety of textures contributes to an increase in the room's vibrancy while simultaneously producing comfort. For example, incorporating a fluffy rug into your themed reading nook is a great way to both offer texture and provide comfort for your feet.

It is entirely possible to stick to a colour palette while avoiding monotony by incorporating a variety of various textures. For instance, you may achieve a more harmonious aesthetic in the room by adding textured beige and light grey cushions to a leather sofa and by adding a textured beige pillow to a light grey rug.

For the décor, you might choose to make use of light brown pottery, rattan trivets, and green leafy plants that are hung from beige macramé plant hangers.

Pattern

Repeating a design results in the formation of a pattern. In the living room you'll find it in the upholstery of the furniture, the wall hangings, the wallpaper, the paint, the rugs, and the fabrics. When applied in an excessive amount, patterns can make a space look lively but can also lead to confusion. When deciding where to apply patterns in a room, first take into account how the area is styled and how much space there is.

When trying to avoid confusion, it's generally advisable to employ patterns only sparingly. If you decide to go with a patterned fabric for your upholstery, it is recommended that you keep the rest of the room's accessories simple and understated.

In contrast, if the pieces of furniture in your room are more understated, you can play with patterns by adding throw cushions and pillows. On a feature wall, you might choose to apply complicated patterns that are comprised of a variety of lines, shapes, and colours.

The Basic Principles of Interior Design

There are numerous possible explanations for why you might perceive the current appearance of your home to be uninspiring or unsatisfying in some other way.

It's possible that the home's fundamental layout is off-putting to you, or that the mishmash of furniture items, each of which is attractive on its own but which doesn't go together, is the source of your discomfort. If you want to create a fantastic look for your home, it would be helpful to grasp some of the fundamental concepts of interior design to follow as a guide.

Balance

It is necessary for the various elements that make up a space to cohere in such a way as to produce a general feeling of steadiness or equilibrium in order for the space to have balance. This can be accomplished by dividing the room into two equal halves with furniture and decorations that are identical in appearance and are evenly positioned apart from one another.

The use of symmetry in a manner similar to this to achieve balance is the method that is more obvious; nonetheless, it is feasible to achieve balance in the space using a variety of various configurations. As long as the visual weight of one portion is balanced out by the addition of equivalent items, the overall appearance of the room will be one that is pleasing.

For instance, you could put a coffee table in the middle of your living room to denote the focal point of the space. On one of the sides, you could put a giant sofa, and on the other side, you could put a few seats that each seat a single person. Even though each chair is considerably smaller than the sofa, the increased quantity of chairs will help to maintain the sofa's equilibrium.

Rhythm

Rhythm in interior design is achieved via the use of repeated elements to create visual appeal and a sense of energy in the space. This is analogous to how rhythm provides the foundation for music through its use of repetitive beats.

As is the case with balance, the incorporation of rhythm into a space can be accomplished in a number of distinct ways, any of which can be combined to meet the specific requirements of your prefered aesthetic. On the most fundamental level, you may reuse the same components, colours, and patterns across a number of different decorations and pieces of furniture.

Gradation and contrast both contribute to the development of rhythm. A good illustration of the former strategy would be to group together a rug with a deep chocolate colour, a chair with a medium brown colour, and a throw pillow with a muted brown colour.

Contrasting would get rid of the middle item to demonstrate a clear separation that is nevertheless aesthetically pleasant between competing forces. The juxtaposition of a textured high-pile black carpeting with smooth black tables and chairs creates contrast while simultaneously preserving cohesion through colour.

Unity

This very final illustration of rhythm brings to the fore another fundamental of interior design, which is known as unity. The term "unity" refers to the degree to which all of the components of a space share a consistent aesthetic. It's possible that no two pieces are exactly alike, but they all have some things in common, which ensures that nothing looks or feels utterly out of place.

As you add, remove, and rearrange the components of the space, it is important to keep the room's overall aesthetic cohesive. One way to do this is to establish an initial colour scheme that will serve as a guide for all of your decorative elements.

Unity, as opposed to rhythm, is associated with more tranquilly in a space. However, it still uses repetition rather frequently in order to accomplish this goal. This is due to the fact that repeated elements organically connect pieces together, but you can also purposefully position them in such a manner that they imply movement.

This can be done in a couple of different ways. It is possible for the exact same brown rug, chair, and pillow that we discussed in the earlier section to be placed very far apart from each other in a room and the space will still feel cohesive.

This is due to the fact that they have a brown colour scheme that they fit with overall. To achieve progressive rhythm, you will need to place them next to one another in a row that progresses from the most saturated to the lightest, or vice versa, depending on the direction you wish to take.

Scale

To the typical person, scale and proportion may sound like the same thing, and the truth is that these two concepts are sufficiently close that they may overlap in the realm of interior design as well. Nevertheless, in order to make successful use of either of them, you must first be familiar with their respective differences.

A comparison of the size of one thing to the size of another thing that has well-defined dimensions is what we mean when we talk about scale. Since you are customising the home for your day-to-day activities, the size of an average person is the item that you use as the foundation for most of your comparisons.

You can apply scale by selecting chairs and counters that stand at a comfortable height for you without appearing to clutter the room or leaving the room feeling empty because they are too small. Scale can also be applied by picking furniture that is proportionately large to the space it occupies.

Additionally, there are situations in which you may purposefully enlarge a design element in order for it to acquire an impactful magnitude as a result of how large it is when you stand close to it as well as when you view it alongside other, smaller objects from a distance.

This can be done in order for the element to have an impactful magnitude both when you are standing close to it as well as when The formation of this kind of relationship, which is based on size, lends itself particularly well to artwork that is both two- and three-dimensional, as well as to plants.

Proportion

Comparing two or more close items in terms of their size and shape in relation to one another is an example of proportion. When doing so, you focus on how these objects compare to one another in their proximity rather than on how large they are in isolation. Because of it, you'll have a far better chance of coming up with an inviting layout for a space.

Consider, for example, the golden ratio, which has been the subject of research by mathematicians ever since ancient times. You can follow a more basic iteration by thinking of the connection as a 60:40 split or as a 60:30:10 split. Although the actual ratio is expressed in a formula, you can think of it as either of those splits.

If you are unsure about how much furniture to place in a room, you may try to adhere to the golden ratio by filling up approximately sixty per cent of the space with chairs and tables while leaving the remaining forty per cent of the space empty.

If you are trying to decide how to employ several colours in a space, one option is to use one dominating hue for sixty per cent of the room, secondary colour for thirty per cent, and an accent colour for the remaining ten per cent. The golden ratio is just one example of proportion, but it is by no means the only one.

You can make use of proportion to your advantage so long as you can create an overall sense of harmony amongst the elements of a room through their similarities or contrasts in comparative size. This can be accomplished by utilising the proportions of the room's furniture. This may mean that you need to judge how the decorations and furniture seem next to one another and base your decision on how you feel about them.

Conclusion

The seven components of outstanding design should collaborate to produce aesthetically pleasing interiors that also perform their intended functions well and inspire the proper emotions in the individuals who occupy a given space. This paper investigates the fundamental components and recognises the importance that each individual element has in the overall interior design of the building. Feng Shui reminds us that shape is just as important as any other component, and shapes are not only tactile and beautiful, but they are also functional. However, the selection of shapes can lead to inapplicable results, such as trying to fit square pieces of equipment into the curves of a circular bar. Interior design is an important part of the design process, as it helps to create global harmony through the use of space, line, form, light, colour, texture, and pattern.

To achieve this, professional interior designers must apply guidelines to their creativity and flair. Space is defined by the room's walls and furniture, and there are two dimensions of space, length and width, as well as a third dimension (length, width, and height). When choosing components, it is important to be familiar with the resources at your disposal before beginning the design process. The most important details in this text are the lines and shapes that make up an object's form, the use of horizontal, vertical, and dynamic lines, and the use of natural and artificial light. The use of horizontal lines gives the impression that the area is larger, more secure, more grounded, and more formal, while vertical lines draw the viewer's attention upwards and elicit a sense of liberation.

Dynamic lines can break up the monotony of the scene, but should be used sparingly. Natural and artificial light have an impact on the way the living space functions, the atmosphere it evokes, and its aesthetic appeal. Living rooms are often illuminated by natural light, which enters the space through doors and windows and shines on various aspects of the space. Ambient light can be produced by using lighting fixtures such as chandeliers, recessed ceiling lights, and wall sconces. When choosing artificial lighting, it is important to consider the function of the room and how it works with both natural and artificial light.

Color can also be added by painting the walls, utilising wallpaper, and using rugs, furniture, and accessories. Smart bulbs provide the ability to modify both the hue and intensity of the light in your living room, allowing you to create a variety of ambience. Accent lighting can also be used to draw attention to specific objects and areas. Having a colour palette and texture in a living room can help to create a sense of harmony and vitality. Black, grey, navy blue, beige, and beige are the most popular colours for furniture, rugs, and walls, but other hues such as green, yellow, carmine, salmon pink, and golden can also work.

It is also possible to stick to a colour palette while avoiding monotony by incorporating a variety of various textures. Patterns can make a space look lively, but can also lead to confusion. It is best to use patterns sparingly and keep the rest of the room's accessories simple and understated. The most important details in this text are the basic principles of interior design, such as balance, rhythm, symmetry, and symmetry. Balance is achieved by dividing the room into two equal halves with furniture and decorations that are identical in appearance and are evenly positioned apart from one another.

Rhythm is achieved by using repeated elements to create visual appeal and a sense of energy in the space, similar to how rhythm provides the foundation for music. The most important details in this text are that rhythm and contrast both contribute to the development of rhythm, as well as unity, which is the degree to which all of the components of a space share a consistent aesthetic. Unity is associated with more tranquilly in a space, but repetition is still used to accomplish this goal. To achieve progressive rhythm, you will need to place them next to one another in a row that progresses from the most saturated to the lightest, or vice versa, depending on the direction you wish to take. Unity can also be achieved by placing them far apart from each other in a room and still feeling cohesive.

Scale and proportion are two important concepts in interior design. Scale is a comparison of the size of one thing to the size of another thing that has well-defined dimensions. To make successful use of either of them, it is important to be familiar with their respective differences. Scale can be applied by selecting chairs and counters that stand at a comfortable height, furniture that is proportionately large to the space it occupies, or by purposefully enlarging a design element to have an impactful magnitude both when standing close to it and when viewed from a distance. This relationship lends itself to artwork that is both two- and three-dimensional, as well as to plants.

Comparing two or more close items in terms of their size and shape in relation to one another is an example of proportion. The golden ratio, which has been the subject of research by mathematicians since ancient times, can be used to create an overall sense of harmony. When deciding how much furniture to place in a room, one option is to use one dominating hue for sixty per cent of the room, secondary colour for thirty per cent, and an accent colour for the remaining ten per cent. This can help to judge how the decorations and furniture seem next to one another and base your decision on how you feel about them.

Content Summary

1. The seven components of outstanding design should collaborate with one another to produce aesthetically pleasing interiors that also perform their intended functions well and inspire the proper emotions in the individuals who occupy a given space.
2. Although there is significant disagreement among practitioners of traditional knowledge as to whether or not shape deserves to be considered the eighth element.
3. If you are able to consider how each element has been used, both on its own and in terms of its interaction with the other elements in the room, it will be much easier for you to form an opinion regarding the level of quality that has been achieved in the interior design of any given space.
4. This paper investigates the fundamental components and recognises the importance that each individual element has in the overall interior design of the building.
5. Because design is a three-dimensional discipline, it will always be influenced by shape for the simple reason that shape imparts meaning and generates interest.
6. In the process of determining flow, tactility, and visual texture, shadow and light play an important role.
7. When it comes to facilitating flow, or chi, in our surroundings, Feng Shui reminds us that shape is just as important as any other component.
8. Chi must always be encouraged by the shape rather than hindered by it.
9. These ideas are put to use frequently in the process of general arrangement planning, which encourages the use of smooth and circular shapes in order to provide a more desirable sensory response.
10. Shapes are not only tactile and beautiful, but they are also functional.
11. For instance, most pantries are rectangular in shape since this maximises the amount of space available for storage.
12. The selection of shapes can also result in inapplicable results.
13. When we think of interior design, it's tempting to see the selection of each living room piece as being a work of some sort of enchanted alchemy.
14. However, in order to maintain a consistent level of design perfection, professional interior designers must apply guidelines to their creativity and flair.
15. This ad hoc set of guidelines applies the principles of interior design, which, when taken into consideration, result in the work of art that we all want to see in our own homes.
16. Harmony is created when the elements of space, line, form, light, colour, texture, and pattern are utilised appropriately.
17. How do you incorporate the various aspects of interior design into the look and feel of your living room?
18. Are you prepared to give your living room a makeover and step into the area of your dreams?
19. The following description will walk you through the components of interior design as well as how to implement them in your living room.
20. The area that you have access to within your living room is defined by the room's walls and furniture.
21. Because it's unlikely that you'll be able to change the dimensions of the room, it's important to be familiar with the resources at your disposal before beginning the design process.
22. There are two dimensions of space, length and width, as well as a third dimension (length, width, and height).
23. When you have your length, breadth, and height measurements in hand, it is much simpler to choose the components that will go into a certain design.
24. For instance, you could utilise a tall bookcase in your living room to give the impression that the area is taller than it actually is.
25. In other situations, you might want to avoid a tall bookcase because you want the attention to be drawn to the other pieces of furniture in the room.
26. In addition, several styles each make a unique utilisation of the available space.
27. Your living room features lines that direct the gaze and help to define the overall appearance of the room.
28. The lines that are horizontal, vertical, and dynamic are all balanced out very well in this fantastic design.
29. Tables, drawer chests, and sofas are all examples of furniture that can feature horizontal lines.
30. The use of horizontal lines gives the impression that the area is larger, more secure, more grounded, and more formal.
31. However, your living space would look boring and uninteresting if you use horizontal lines too frequently.
32. However, an overabundance of vertical lines might provide the impression of being hemmed in.
33. You can use dynamic lines to break up the monotony of the scene.
34. However, you should try to avoid employing an excessive amount of dynamic lines because doing so can be annoying.
35. The lines and shapes that make up an object's form are referred to as its form.
36. However, utilising an excessive number of forms inside a confined area may lead to confusion.
37. Harmony is achieved when many forms are brought into balance with one another.
38. In most cases, it is desirable to replicate the main form with several insignificant objects located throughout the living room.
39. Your living room is often illuminated by natural light, which enters the space through doors and windows and shines on various aspects of the space.
40. Even if you fill your living room with brilliant colours, it may look lifeless if there is not enough natural light to illuminate the space.
41. During the day, mounting mirrors on the walls of your living room is a wonderful way to reflect natural light and increase the amount of ambient light present in the space.
42. When choosing artificial lighting, it is essential to take into consideration the function of the room as well.
43. What exactly is it that your living room is used for?
44. The ambience of your living space can also be affected by the light.
45. In order to create an atmosphere that is soothing and conducive to relaxation in the living area, dimmer the lights.
46. Thankfully, smart bulbs provide you the ability to modify both the hue and the intensity of the light in your living room, allowing you to create a variety of ambience.
47. Your living room's architectural details, wall hangings, carvings, and other places can all be brought out with the help of accent lighting.
48. When choosing the paint colours for your living room, you should take into account the area's function, your own style, and how the colour works with both natural and artificial light.
49. You may add colour to your living room in a variety of methods, such as by painting the walls, utilising wallpaper, utilising rugs, furniture, and accessories.
50. Having a colour palette lets you establish the colours that you can experiment with in your living room while still preserving the space's sense of harmony and vitality.
51. In living rooms, the colours black, grey, navy blue, beige, and beige are highly suggested, particularly for usage on furniture, rugs, and walls.
52. This is due to the fact that these colours are relaxed and offer the possibility to experiment with different colours on other aspects of the living room.
53. Your living area takes on the look and feel of the items you have in it, even their tactile appearance.
54. It's possible for things to have rough, smooth, or shiny textures.
55. The utilisation of a variety of textures contributes to an increase in the room's vibrancy while simultaneously producing comfort.
56. It is entirely possible to stick to a colour palette while avoiding monotony by incorporating a variety of various textures.
57. Repeating a design results in the formation of a pattern.
58. In the living room you'll find it in the upholstery of the furniture, the wall hangings, the wallpaper, the paint, the rugs, and the fabrics.
59. When deciding where to apply patterns in a room, first take into account how the area is styled and how much space there is.
60. On a feature wall, you might choose to apply complicated patterns that are composed of a variety of lines, shapes, and colours.
61. There are numerous possible explanations for why you might perceive the current appearance of your home to be uninspiring or unsatisfying in some other way.
62. It's possible that the home's fundamental layout is off-putting to you, or that the mishmash of furniture items, each of which is attractive on its own but which doesn't go together, is the source of your discomfort.
63. If you want to create a fantastic look for your home, it would be helpful to grasp some of the fundamental concepts of interior design to follow as a guide.
64. It is necessary for the various elements that make up a space to cohere in such a way as to produce a general feeling of steadiness or equilibrium in order for the space to have balance.
65. This can be accomplished by dividing the room into two equal halves with furniture and decorations that are identical in appearance and are evenly positioned apart from one another.
66. The use of symmetry in a manner similar to this to achieve balance is the method that is more obvious; nonetheless, it is feasible to achieve balance in the space using a variety of various configurations.
67. For instance, you could put a coffee table in the middle of your living room to denote the focal point of the space.
68. Rhythm in interior design is achieved via the use of repeated elements to create visual appeal and a sense of energy in the space.
69. This is analogous to how rhythm provides the foundation for music through its use of repetitive beats.
70. As is the case with balance, the incorporation of rhythm into a space can be accomplished in a number of distinct ways, any of which can be combined to meet the specific requirements of your preferred aesthetic.
71. On the most fundamental level, you may reuse the same components, colours, and patterns across a number of different decorations and pieces of furniture.
72. Gradation and contrast both contribute to the development of rhythm.
73. This very final illustration of rhythm brings to the fore another fundamental of interior design, which is known as unity.
74. The term "unity" refers to the degree to which all of the components of a space share a consistent aesthetic.
75. As you add, remove, and rearrange the components of the space, it is important to keep the room's overall aesthetic cohesive.
76. One way to do this is to establish an initial colour scheme that will serve as a guide for all of your decorative elements.
77. Unity, as opposed to rhythm, is associated with more tranquillity in a space.
78. However, it still uses repetition rather frequently in order to accomplish this goal.
79. This can be done in a couple of different ways.
80. It is possible for the exact same brown rug, chair, and pillow that we discussed in the earlier section to be placed very far apart from each other in a room and the space will still feel cohesive.
81. This is due to the fact that they have a brown colour scheme that they fit with overall.
82. To the typical person, scale and proportion may sound like the same thing, and the truth is that these two concepts are sufficiently close that they may overlap in the realm of interior design as well.
83. Nevertheless, in order to make successful use of either of them, you must first be familiar with their respective differences.
84. A comparison of the size of one thing to the size of another thing that has well-defined dimensions is what we mean when we talk about scale.
85. Since you are customising the home for your day-to-day activities, the size of an average person is the item that you use as the foundation for most of your comparisons.
86. Scale can also be applied by picking furniture that is proportionately large to the space it occupies.
87. Additionally, there are situations in which you may purposefully enlarge a design element in order for it to acquire an impactful magnitude as a result of how large it is when you stand close to it as well as when you view it alongside other, smaller objects from a distance.
88. This can be done in order for the element to have an impactful magnitude both when you are standing close to it as well as when The formation of this kind of relationship, which is based on size, lends itself particularly well to artwork that is both two- and three-dimensional, as well as to plants.
89. Comparing two or more close items in terms of their size and shape in relation to one another is an example of proportion.
90. When doing so, you focus on how these objects compare to one another in their proximity rather than on how large they are in isolation.
91. Because of it, you'll have a far better chance of coming up with an inviting layout for a space.
92. If you are unsure about how much furniture to place in a room, you may try to adhere to the golden ratio by filling up approximately sixty per cent of the space with chairs and tables while leaving the remaining forty per cent of the space empty.
93. The golden ratio is just one example of proportion, but it is by no means the only one.
94. You can make use of proportion to your advantage so long as you can create an overall sense of harmony amongst the elements of a room through their similarities or contrasts in comparative size.
95. This can be accomplished by utilising the proportions of the room's furniture.
96. This may mean that you need to judge how the decorations and furniture seem next to one another and base your decision on how you feel about them.